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Tips on Pencil Portrait Drawing - Clothing

By Remi Engels

Drawing clothing can be quite challenging. The challenge usually centers on the drawing of the folds. There is a lot of reflected light, lots of darks, and many lights. But it is exactly this variety of values that makes the drawing of clothes very attractive but also challenging. Learning to draw fabric well requires a concerted effort and a good deal of practice.


Here are a few tips to memorize:


As mentioned above, in a typical pencil portrait involving fabrics, you will find combinations of these different types of folds. It is important that you recognize each type instantly and that you have practiced drawing them.


You should identify the areas where the fabric is in tension and where it is not and see where the darks and lights are. In addition, there will always be hard edges and soft edges that must be rendered faithfully for your drawing to look realistic.


Finally, there is also something called: "lost and found" edge. A lost and found edge is an edge that, at first, can easily be seen, but then peters out and becomes invisible, only to reappear a little further down the line. Although the edge consists of two disconnected lines, the eye through the brain recognizes that the two disjointed line pieces belong together and form one edge.


As you can see, drawing clothes is not all that simple. Sometimes clothes are dismissed and often underestimated in their difficulty to draw. But, if you know that they are not so easy, you should not feel bad if, at first, your clothes drawings do not look very realistic. Sorry to say, but learning the art of drawing clothes requires much practice and careful observation.


Remi Engels, Ph.D., is a pencil portrait artist and oil painter. Samples of Remi's pencil portraits and other articles can be found at Remi's Pencil Portraits.


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